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TRI ET FILTRES
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Vous avez sélectionné:
THERE IS A PLACE
3 Saxophones (trio)
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Amazing Grace for Saxophone Trio
3 Saxophones (trio)
Woodwind Ensemble,Woodwind Trio Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor …
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Woodwind Ensemble,Woodwind Trio Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - Digital Download SKU: A0.714005 Composed by Traditional. Arranged by Jeremy Corcoran. Multicultural,Romantic Period,Sacred,Standards,World. 8 pages. LPC Publishers #3002323. Published by LPC Publishers (A0.714005). Amazing Grace arranged for 3 Alto Saxophones. There is also a Soprano Sax part that can replace the Alto 1 part, and a Tenor Sax part that can replace the Alto 3 part. Many different saxophone groupings are possible.
$5.99
5.55 €
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3 Saxophones (trio)
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Traditional
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Jeremy Corcoran
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Amazing Grace for Saxophone Trio
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LPC Publishers
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SheetMusicPlus
O Come, O Come, Emmanuel for Saxophone Trio
3 Saxophones (trio)
Saxophone Trio,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone - Lev…
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Saxophone Trio,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone - Level 3 - Digital Download SKU: A0.1342264 Composed by Traditional. Arranged by James M. Guthrie. Chamber,Christian,Christmas,Holiday,Traditional. 3 pages. Jmsgu3 #927716. Published by jmsgu3 (A0.1342264). Veni, Veni, Emmanuel, also known as O Come, O Come, Emmanuel, is a Christian hymn for Advent. It has ancient origins, as the melody synthesizes the great, ancient O Antiphons sung for Vespers during Advent. The familiar tune, Veni Emmanuel, was first linked with this hymn in 1851, when Thomas Helmore published it in the Hymnal Noted, paired with an early revision of Neale's English translation. While the Veni Emmanuel tune predominates in the English-speaking world, several others have been closely associated with the hymn.O Come, O Come, Emmanuel has been used in popular culture as a significant and enduring hymn, particularly during Advent and Christmas. Its universal themes of hope, longing, and the anticipation of the arrival of Jesus Christ have resonated with listeners of different generations, evoking strong emotions and connecting them to the deeper meaning of Christmas and Advent. The song's profound impact on listeners, touching hearts and stirring emotions, has contributed to its enduring popularity. Various artists have sung it, featuring it in numerous Christmas albums and performances, further solidifying its place in popular culture. Therefore, O Come, O Come, Emmanuel holds a special significance in popular culture due to its timeless message and emotional impact on listeners.
$24.95
23.11 €
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3 Saxophones (trio)
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Traditional
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James M
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O Come, O Come, Emmanuel for Saxophone Trio
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jmsgu3
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SheetMusicPlus
La Paloma - Spanish Habanera - Saxophone Trio
3 Saxophones (trio)
Woodwind Ensemble,Woodwind Trio Alto Saxophone,Baritone Saxophone,Clarinet,Flute,Soprano S…
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Woodwind Ensemble,Woodwind Trio Alto Saxophone,Baritone Saxophone,Clarinet,Flute,Soprano Saxophone,Tenor Saxophone - Level 2 - Digital Download SKU: A0.568484 Composed by Sebastina de Yvradier (1809â??1865). Arranged by Thomas Graf. Folk,World. 12 pages. Thomas Graf - the-hit-factory.com #2961267. Published by Thomas Graf - the-hit-factory.com (A0.568484). La Paloma is a popular Spanish song that has been produced and reinterpreted in diverse cultures, settings, arrangements, and recordings over the last 140 years. The song was composed and written by the Spanish composer from the Basque region Sebastián Iradier (later Yradier) after he visited Cuba in 1861. Iradier may have composed La Paloma around 1863, just two years before he died in Spain in obscurity, never to learn how popular his song would become. La Paloma belongs to a genre of songs called Habaneras, a musical style developed in 19th-century Spain that is still today very much present in the form of folk songs and formal compositions, particularly in the Northern Basque Region and East Coast (Catalonia and Valencia) regions of the country. Like all Habaneras, its characteristic and distinct rhythm reflects the fusion of the local Cuban songs that the Spanish sailors of the time brought back with them from their travels to the island, with the rhythm structure of the flamenco tanguillo gaditano (original from Cádiz, Andalusia). Very quickly La Paloma became popular outside of Spain, particularly in Mexico, and soon spread around the world. In many places, including Afghanistan, Hawaii, the Philippines, Germany, Romania, Zanzibar, and Goa it gained the status of a quasi-folk song. Over the years the popularity of La Paloma has surged and receded periodically, but never subsided. It may be considered one of the first universal popular hits and has appealed to artists of diverse musical backgrounds.[1] There are more than one thousand versions of this song, and that together with Yesterday by the Beatles, is one of the most recorded songs in the history of music. Instrumentation: Part I (Soprano/Alto), Part II (Alto), Part III (Tenor) Listen to the recording - a challenge for your ensemble. Check out our latest uploads: http://www.sheetmusicplus.com/publishers/thomas-graf-the-hit-factory-com/smp-press/3001412 1303131?N... Any individual arrangement and substitute parts are available on request. Call 49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic New catalogue includedVideo: https://www.youtu.be/ERXv2yBGgOA.
$8.99
8.33 €
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3 Saxophones (trio)
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Sebastina de Yvradier
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Thomas Graf
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La Paloma - Spanish Habanera - Saxophone Trio
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
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